{"id":32532,"date":"2016-08-24T10:26:11","date_gmt":"2016-08-24T07:26:11","guid":{"rendered":"http:\/\/gzone.com.tr\/?p=32532"},"modified":"2016-08-24T10:26:11","modified_gmt":"2016-08-24T07:26:11","slug":"dunyanin-en-iyi-100-filmi-arasinda-hangi-lgbt-temali-filmler-var","status":"publish","type":"post","link":"http:\/\/www.gzone.com.tr\/index.php\/2016\/08\/24\/dunyanin-en-iyi-100-filmi-arasinda-hangi-lgbt-temali-filmler-var\/","title":{"rendered":"D\u00dcNYANIN EN \u0130Y\u0130 100 F\u0130LM\u0130 ARASINDA HANG\u0130 LGBT TEMALI F\u0130LMLER VAR?"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\"> \u0130ngiliz yay\u0131n kurulu\u015fu BBC d\u00fcnya genelinde 177 film ele\u015ftirmenin olu\u015fturdu\u011fu film se\u00e7kisini yay\u0131nlad\u0131. Binlerce filmi mercek alt\u0131na alan ele\u015ftirmenler\u00a02000&#8217;li y\u0131llar\u0131n en iyi 100 filmini belirledi.<\/span><\/p>\n<p class=\"p1\">Listenin 54.s\u0131ras\u0131nda Nuri Bilge Ceylan&#8217;\u0131n &#8220;Bir Zamanlar Anadolu (Once Upon A Time In Anatolia) da yer al\u0131yor.<\/p>\n<p class=\"p1\">Listede LGBT temal\u0131 filmler olarak, 40.s\u0131radaki &#8220;Brokeback Mountain&#8221;, 45.s\u0131radaki &#8220;Blue Is The Warmest Color&#8221;, 69. s\u0131radaki &#8220;Carol&#8221; ve 86.s\u0131radaki &#8220;Far From Heaven&#8221; var.<\/p>\n<p class=\"p1\">\u0130\u015fte bu listenin tamam\u0131:<\/p>\n<p class=\"p1\"><span class=\"s1\">100. Toni Erdmann (Maren Ade, 2016)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">100. Requiem for a Dream (Darren Aronofsky, 2000)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">100. Carlos (Olivier Assayas, 2010)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">99. The Gleaners and I (Agn\u00e8s Varda, 2000)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">98. Ten (Abbas Kiarostami, 2002)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">97. White Material (Claire Denis, 2009)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">96. Finding Nemo (Andrew Stanton, 2003)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">95. Moonrise Kingdom (Wes Anderson, 2012)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">94. Let the Right One In (Tomas Alfredson, 2008)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">93. Ratatouille (Brad Bird, 2007)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">92. The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik, 2007)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">91. The Secret in Their Eyes (Juan Jos\u00e9 Campanella, 2009)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">90. The Pianist (Roman Polanski, 2002)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">89. The Headless Woman (Lucrecia Martel, 2008)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">88. Spotlight (Tom McCarthy, 2015)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">87. Am\u00e9lie (Jean-Pierre Jeunet, 2001)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">86. Far From Heaven (Todd Haynes, 2002)<\/span><\/p>\n<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/s16.postimg.org\/tcsod59xh\/FAR.jpg\" width=\"1280\" height=\"688\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\">85. A Prophet (Jacques Audiard, 2009)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">84. Her (Spike Jonze, 2013)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">83. A.I. Artificial Intelligence (Steven Spielberg, 2001)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">82. A Serious Man (Joel and Ethan Coen, 2009)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">81. Shame (Steve McQueen, 2011)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">80. The Return (Andrey Zvyagintsev, 2003)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">79. Almost Famous (Cameron Crowe, 2000)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">78. The Wolf of Wall Street (Martin Scorsese, 2013)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">77. The Diving Bell and the Butterfly (Julian Schnabel, 2007)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">76. Dogville (Lars von Trier, 2003)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">75. Inherent Vice (Paul Thomas Anderson, 2014)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">74. Spring Breakers (Harmony Korine, 2012)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">73. Before Sunset (Richard Linklater, 2004)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">72. Only Lovers Left Alive (Jim Jarmusch, 2013)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">71. Tabu (Miguel Gomes, 2012)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">70. Stories We Tell (Sarah Polley, 2012)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">69. Carol (Todd Haynes, 2015)<\/span><\/p>\n<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-21677\" src=\"http:\/\/gzone.com.tr\/wp-content\/uploads\/2016\/01\/carol.jpg\" alt=\"carol\" width=\"660\" height=\"330\" srcset=\"http:\/\/www.gzone.com.tr\/wp-content\/uploads\/2016\/01\/carol.jpg 660w, http:\/\/www.gzone.com.tr\/wp-content\/uploads\/2016\/01\/carol-300x150.jpg 300w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\">68. The Royal Tenenbaums (Wes Anderson, 2001)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">67. The Hurt Locker (Kathryn Bigelow, 2008)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">66. Spring, Summer, Fall, Winter\u2026and Spring (Kim Ki-duk, 2003)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">65. Fish Tank (Andrea Arnold, 2009)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">64. The Great Beauty (Paolo Sorrentino, 2013)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">63. The Turin Horse (B\u00e9la Tarr and \u00c1gnes Hranitzky, 2011)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">62. Inglourious Basterds (Quentin Tarantino, 2009)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">61. Under the Skin (Jonathan Glazer, 2013)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">60. Syndromes and a Century (Apichatpong Weerasethakul, 2006)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">59. A History of Violence (David Cronenberg, 2005)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">58. Moolaad\u00e9 (Ousmane Semb\u00e8ne, 2004)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">57. Zero Dark Thirty (Kathryn Bigelow, 2012)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">56. Werckmeister Harmonies (B\u00e9la Tarr, director; \u00c1gnes Hranitzky, co-director, 2000)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">55. Ida (Pawe\u0142 Pawlikowski, 2013)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">54. Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">53. Moulin Rouge! (Baz Luhrmann, 2001)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">52. Tropical Malady (Apichatpong Weerasethakul, 2004)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">51. Inception (Christopher Nolan, 2010)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">50. The Assassin (Hou Hsiao-hsien, 2015)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">49. Goodbye to Language (Jean-Luc Godard, 2014)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">48. Brooklyn (John Crowley, 2015)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">47. Leviathan (Andrey Zvyagintsev, 2014)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">46. Certified Copy (Abbas Kiarostami, 2010)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">45. Blue Is the Warmest Color (Abdellatif Kechiche, 2013)<\/span><\/p>\n<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/s14.postimg.org\/3t16tyqkh\/BLUE.png\" width=\"600\" height=\"338\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\">44. 12 Years a Slave (Steve McQueen, 2013)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">43. Melancholia (Lars von Trier, 2011)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">42. Amour (Michael Haneke, 2012)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">41. Inside Out (Pete Docter, 2015)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">40. Brokeback Mountain (Ang Lee, 2005)<\/span><\/p>\n<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/s3.postimg.org\/sp61hjegj\/image.jpg\" width=\"1280\" height=\"720\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\">39. The New World (Terrence Malick, 2005)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">38. City of God (Fernando Meirelles and K\u00e1tia Lund, 2002)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">37. Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">36. Timbuktu (Abderrahmane Sissako, 2014)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">35. Crouching Tiger, Hidden Dragon (Ang Lee, 2000)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">34. Son of Saul (L\u00e1szl\u00f3 Nemes, 2015)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">33. The Dark Knight (Christopher Nolan, 2008)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">32. The Lives of Others (Florian Henckel von Donnersmarck, 2006)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">31. Margaret (Kenneth Lonergan, 2011)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">30. Oldboy (Park Chan-wook, 2003)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">29. WALL-E (Andrew Stanton, 2008)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">28. Talk to Her (Pedro Almod\u00f3var, 2002)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">27. The Social Network (David Fincher, 2010)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">26. 25th Hour (Spike Lee, 2002)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">25. Memento (Christopher Nolan, 2000)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">24. The Master (Paul Thomas Anderson, 2012)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">23. Cach\u00e9 (Michael Haneke, 2005)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">22. Lost in Translation (Sofia Coppola, 2003)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">21. The Grand Budapest Hotel (Wes Anderson, 2014)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">20. Synecdoche, New York (Charlie Kaufman, 2008)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">19. Mad Max: Fury Road (George Miller, 2015)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">18. The White Ribbon (Michael Haneke, 2009)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">17. Pan&#8217;s Labyrinth (Guillermo Del Toro, 2006)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">16. Holy Motors (Leos Carax, 2012)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">15. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">14. The Act of Killing (Joshua Oppenheimer, 2012)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">13. Children of Men (Alfonso Cuar\u00f3n, 2006)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">12. Zodiac (David Fincher, 2007)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">11. Inside Llewyn Davis (Joel and Ethan Coen, 2013)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">10. No Country for Old Men (Joel and Ethan Coen, 2007)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">9. A Separation (Asghar Farhadi, 2011)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">8. Yi Yi: A One and a Two (Edward Yang, 2000)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">7. The Tree of Life (Terrence Malick, 2011)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">6. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">5. Boyhood (Richard Linklater, 2014)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">4. Spirited Away (Hayao Miyazaki, 2001)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">3. There Will Be Blood (Paul Thomas Anderson, 2007)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">2. In the Mood for Love (Wong Kar-wai, 2000)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1. Mulholland Drive (David Lynch, 2001)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0130ngiliz yay\u0131n kurulu\u015fu BBC d\u00fcnya genelinde 177 film ele\u015ftirmenin olu\u015fturdu\u011fu film se\u00e7kisini yay\u0131nlad\u0131. Binlerce filmi mercek alt\u0131na alan ele\u015ftirmenler\u00a02000&#8217;li y\u0131llar\u0131n en iyi 100 filmini belirledi. Listenin 54.s\u0131ras\u0131nda Nuri Bilge Ceylan&#8217;\u0131n &#8220;Bir Zamanlar Anadolu (Once Upon A Time In Anatolia) da yer al\u0131yor. Listede LGBT temal\u0131 filmler olarak, 40.s\u0131radaki &#8220;Brokeback Mountain&#8221;, 45.s\u0131radaki &#8220;Blue Is The Warmest &hellip;<\/p>\n","protected":false},"author":1,"featured_media":32533,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28,61],"tags":[415,509],"class_list":["post-32532","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-pop","category-sinematv","tag-pop-2","tag-sinema-tv"],"_links":{"self":[{"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/32532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=32532"}],"version-history":[{"count":1,"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/32532\/revisions"}],"predecessor-version":[{"id":32534,"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/32532\/revisions\/32534"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/media\/32533"}],"wp:attachment":[{"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=32532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=32532"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gzone.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=32532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}